This is the day of the spectacular Unifrance lunch at
the Villa Toscana up in the hills overlooking Cannes. This is one of those
events that couldn't be scripted better - swaying palms, the Maritime Alps,
the blue water in the distance and next to the tables at the pool, the
bamboo close at the foot of the slope...
Back at the ranch, I passs by the North Carolina booth at the American
Pavilion and chat to the charming Paula Wyrick and Bill Arnold, and look at
the huge number of films that are being done in that state these days.
Afterwards I pass by the Scandinavian film office to get tickets to the
Friday party for Liv Ulman's film "Kirstin Lavransdatter" which had an
impressive debut in New York at the Asia Society as the headlining film in
the Scandinavian Film Festival. The party on Friday coincides with
Norway's independence day celebration, so it should be a swell event on
their grassy lawn overlooking the Croisette. Later that evening, we drink
beers with Parker Posey and Liev Schreiber and they drag me off to some
Alliance party for "Daytrippers". I am introduced to John
Huddles,
director of Mr. Spreckman's Boat", which played recently to an enthusiastic
crowd at the Genart Film Festival in Manhattan. We go from this event to
the Lucian Pintilie film "Trop Tard" which is sure to win a
prize, the male
lead plays to perfection and the film is a thriller. The Miramax party for
some Australian film (I think, after a while it becomes not so important
what film the parties are for) on the beach is fun in a quieter way than
the "Trainspotting" party, but there are the Seymour Cassel
and Jimi
Hendrix's bass player "sightings" and great dance music. Later around 3am,
we bump into the "trees lounge" delegation and get to meet Steve Buscemi,
who also has a key role in Altman's "Kansas City".
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