|
Right from the start, Annaud and his crew were challenged with finding
the right locations for their massive production. Originally, filming was
to take place in India, as near to Tibet as possible. However, filming permit
difficulties and scheduling problems ­p; mainly the impossibility of
shooting in the treacherous Himalayas from September onward ­p; forced
the filmmakers to find a suitable alternative to the majestic Asian terrain.
The foothills of the Andes, on the Argentina-Chile border, and specifically
the town of Uspallata, Argentina, offered landscape reminiscent of Tibet
and, of equal importance, the infrastructure essential to support the filmmaking
process. In addition, the altitude in Argentina would be considerably lower
than in the Himalayas. The crew would be less likely to suffer altitude
sickness. Communications would be relatively sophisticated and conditions,
on the whole, perfectly acceptable.
"We had the advantage of having total freedom," says Jean-Jacques
Annaud. "So we were not hampered by being under the scrutiny of the
Indian or Chinese governments. It was a real film set -- safe, convenient,
good roads and telecommunications. We created our world there."
One aspect of working in the mountains that the cast and crew never became
acclimated to was the dust which swirled across the plains every day at
noon. It got everywhere, clogging up expensive equipment, turning eyes red
and insuring a steady line at the set doctor's office for treatment for
ear, nose and throat infections.
Uspallata became home for the film for nearly three months, its population
increased by almost fifty percent. Every available bed in the town was booked
by the production, the three restaurant were filled to capacity on a regular
basis, and every cabana was occupied. A group of almost 700 individuals
and the addition of nearly 200 vehicles turned a sleepy pit stop on the
way to Chile into a place of constant activity.
One problem the filmmakers didn't anticipate was the lack of yaks, a beast
not indigenous to South America. Executive producers Richard Goodwin and
David Nichols quickly became experts in the transportation of livestock
from one side of the globe to the other, as scores of yaks had to be flown
in from a herd in Montana, each animal needing a passport and photo. The
yaks remained in Argentina after filming, appropriated by local zoos.
Three months of filming in Uspallata were followed by weeks in the bustling
city of Mendoza, two hours down the road from Uspallata in the heart of
Argentina's wine country, and quite a change from the comparative serenity
of the Andes mountain location. It was a major shock for the crew as everyone
adjusted to being kept awake at night by city noise which normally continued
until dawn.
The company's final Argentinean location was Buenos Aires, where the railway
station at nearby La Plata was dressed to represent the Graz station in
Austria.
The opening scenes of the movie, which take place on Nanga Parbat in the
Himalayas, necessitated a moved to an area northeast of Vancouver, British
Columbia, for three tough weeks confronting the elements and where Pitt
and Thewlis were finally able to put their mountaineering schooling to
the test.
Suggestions? Comments? Fill out our Feedback Form.