BRUCE WILLIS (Korben Dallas) is unique in the
ranks of top box office stars. While his status as an international
celebrity is solidly based on a series of carefully crafted
actionadventure blockbusters, his ability to stretch his screen
persona, along with his taste for artistic risk, have won him
industry respect and critical acclaim.
Acting became Willis's sole profession when, in 1 984, he was
selected to take over the lead role of Eddie in the original New York
production of Sam Shepard's "Fool For Love." That success was
followed by an opportunity to audition for the role of David Addison
in the television series Moonlighting, opposite Cybill Shepherd,
which went on to become the television sensation of the mid-80s.
In 1986, Willis returned to his first perforrning love, cutting the
LP Bruce Willis: The Return ofBruno for Motown Records. Blues shouter
"Bruno Radoni" (Willis) subsequently starred in his own HBO special.
The album achieved platinum status in the course of its 29 weeks on
the national charts, spawning the 1989 follow-up, Ifit Don't Kill
You, ft Just Makes You Stronger.
While Moonlighting continued its successful run, Willis made a
successful transition to film in 1987, starring in the Blake Edwards
smash, Blind Date, opposite Kim Basinger. Another Blake Edwards film,
the period mystery Sunset, followed in 1988. Later that same year,
his performance as street-smart cop John McClane in the surprise
blockbuster Die Hard solidified Willis's position as a top box-office
draw.
In 1989, Willis's nuanced performance as haunted Vietnam veteran
Bmmet Smith in Norman Jewi son's In Country was the first in a series
of change-of-pace roles that have served to add fresh momentum to his
screen career. Willis next provided the voice of wise-cracking baby
"Mikey" in the family comedy Look Who's Talking, and its 1990 sequel,
Look Who's Talking, Too.
Willis brought John McC lane back to dominate the summer box office
in Die Hard 2, and then starred in Brian DePalma's Bonfire of the
Vanities, opposite Tom Hanks and Melanie Griffith. Willis tackled the
risky role of James Urbanski, wife-abuser and murder victim, in
1991's Mortal Thoughts, opposite his wife, Demi Moore. The same year
brought Willis to the screen as the daredevil cat burglar Hudson
Hawk, as gangster Bo Weidenberg in Billy Bathgate, and private
detective Joe Hallenbeck in The Last Boy Scout.
Robert Zemeckis's 1992 Death Becomes Her starred Willis as a
mild-mannered plastic surgeon opposite Meryl Streep and Goldie Hawn.
The following year Willis returned to actionadventure in the summer
hit Striking Distance.
Willis next appeared in Quentin Tarantino's phenomenally successful
second feature, Pulp Fiction, winner of the Palme D'or at the 1994
Cannes Film Festival. Willis's portrayal of Butch Coolidge, a proud
boxer on the skids, won more critical acclaim for the actor, while
bolstering his appeal to the next generation of filmgoers. Later in
1994, Willis took on the role of Carl Roebuck, the irresponsible
employer of an aging raconteur played by Paul Newman, in Robert
Benton's Nobody's Fool, and also starred as Dr. Bill Capra in the
erotic thriller The Color of Night.
In 1995, Terry Gilliam's Twelve Monkeys toplined Willis as James
Cole, a time traveler on a fateful mission; the following summer,
Willis's John McClane returned to battle a mad bomber in the
all-stops-out blockbuster Die Hard With A Vengeance. Willis's most
recent feature, Walter Hill's Last Man Standing, cast the actor as
John Smith, a man who steps in the middle of a Chicago gang war
during the prohibition era, in an action drama patterned after the
Akira Kurosawa classic Yojimbo.
Currently, Willis is engaged in an ambitious waterfront development
plan in the vicinity of his old Southern New Jersey stomping grounds.
He also recently completed work on Universal's Jackal project, and is
presently filming Broadway Brawlers for Buena Vista.
GARY OLDMAN's (Zorg) talent and charisma are
evident in each of his roles, but Oldman's greatest strength is his
remarkable range. Over the first decade of his film career, the actor
has become a favorite of critics and fans by tackling a wide spectrum
of roles, ranging from Sid Vicious through Count Dracula to Ludwig
Von Beethoven.
A welder's son, Oldman was born in New Cross, a working-class
district in South London, on March 21, 1958, and was working as a
sales clerk at a sporting goods shop when he began training for the
stage with the Greenwich Young People's Theatre. He subsequently
attended the Rose Bradford College of Speech and Drama on a
scholarship and, following graduation, joined a touring repertory
company. Not long thereafter, the charismatic young actor became a
significant presence on the British stage, first coming to national
attention in a brief, fiery performance as the skinhead Coxey in Mike
Leigh's 1983 BBC telefilm Mean Time.
In 1985, Oldman joined London's Royal Court Theatre, an association
that continued through the next four years. His first major screen
role soon followed, a dead-on portrayal of doomed punk rocker Sid
Vicious in Alex Cox's Sid & Nancy, in 1986. By contrast, Stephen
Frears's acclaimed film Prick Up Your Ears, cast Oldman as
iconoclastic playwright Joe Orton, a very different character
similarly plagued by early fame, an early demonstration of Oldman's
uncanny ability to transform his screen persona.
Oldman was next paired with Alan Bates in the film We Think The World
Of You, as Johnny, the conflicted lover of a gentle, older man, and
was featured in Nicholas Roeg's dark comedy Track 29 as Martin, the
long lost, and possibly murderous, son of Theresa Russell.
Martin Campbell's hit psychological thriller Criminal Law cast Oldman
as an American attorney embroiled in a cat-and-mouse game with a
guilty client set free by his efforts, played by Kevin Bacon.
Oldman's first heroic role required him to adopt a seamless U.S.
accent, a skill also put to good use in two 1990 films,
Chattahoochee, in the role of Emmett Foley, an iumate in a southern
mental facility, and as Jackie Flannery in Phil Joanou's State Of
Grace, a drama set among the Irish-American gangs of Hell's Kitchen
in New York. The same year also teamed Oldman, as Rosenkrantz, with
Tim Roth as Guildenstern, in Tom Stoppard's film adaptation of his
own play, Rosenkrantz and Guildenstern are Dead
Oliver Stone's controversial JFK featured Oldman's startling
impersonation of Lee Harvey Oswald in 1991, and in the following year
Oldman brought a creepy gothic sensuality to the title role in
Francis Ford Coppola's production, Bram Stoker's Dracula.
Oldman's study of American dialects again paid off handsomely with
his portrayal of the deadlocked Drexl Spivey in Tony Scott's True
Romance, written by Quentin Tarantino. His next feature, Romeo is
Bleeding, blazed a trail even deeper into the realm of neo-noir, with
his brooding portrayal of Jack Grimaldi, an agent working for the
Witness Protection Program, whose lust for money and for co-star Lena
Olin sets his path on a downward spiral. Oldman's first professional
pairing with director Luc Besson came in 1994's The Professional,
playing opposite Jean Reno as Norman Stansfield, an operative for the
U.S. Drug Enforcement Agency, gone wildly out of control.
Also in 1994, director Bernard Rose chose Oldman for the demanding
lead of Immortal Beloved, a film acclaimed for its poetic exploration
of the inner life of an obsessive musical genius, Ludwig Von
Beethoven.
More recently, Oldman has appeared as Reverend Dimmesdale in The
Scarlet Letter, and as a sadistic warden of Alcatraz in Murder in the
First. Oldman was also featured in Basquiat, as Albert Milo, one of
the few fictional characters in the film bio of artist Jean-Michel
Basquiat. That role was based in part upon the film's director Julian
Schnabel, who had been an intimate of the late tragic genius.
Oldman will be seen later this year starring with Harrison Ford in
Air Force One. Currently, Oldman is working with director Stephen
Hopkins, playing the role of Dr. Smith in New Line's science fiction
film, Lost in Space. He will make his feature film directorial debut
later with Columbia's forthcoming Nil By Mouth, produced by Luc
Besson.
MILLA JOVOVICH (Leeloo) was born December
17th, 1975 in Kiev, Ukraine, the daughter of Russian stage actress
Gallina Loginova and Yugoslavian pediatrician Bogie Jovovich.
When Jovovich was five years old, her family emigrated to Sacramento.
Already a startling beauty at age 11, Jovovich began pursuing an
acting career; when her photograph reached the offices of the Prima
modeling agency, a somewhat different career path began.
Her first cover, for the Italian fashion magazine Lei and a six-page
fashion spread shot by Herb Ritts for a French fashion magazine,
catapulted the young, barely-trained model to the top ranks. During
her first year, she'd done 15 fashion covers and countless other
shoots, still managing the time for her studies -- including the
training necessary for runway work -- and, like any L.A. teen, to
"hang out at the mall."
Having gained international fame, Jovovich decided to focus upon her
original goal. She made her screen debut in 1988's Two Moon Junction
as the younger sister of Sherilyn Fenn, and also starred in a Disney
Channel fantasy feature, Night Train to Kathmandu, as the daughter of
two archeologists, who befriends a magical prince. Her first toplined
feature was 1991's Return to the Blue Lagoon, and, at 14, she was
featured in Richard Attenborough's Chaplin, as Mildred Harris, the
first wife of the pioneering film comedian and director. A brief role
in Richard Linklater's high school comedy Dazed and Confused
followed. Though her screen-time was brief, the role was her singing
debut, as the character gave an a capella rendition of a few lines
from Jovovich's own composition The Alien Song. She also starred
opposite Christian Slater in Kuffs.
A student of voice and piano since a very early age, Jovovich bought
her first electric guitar at the age of 13 and was eagerly receptive
when approached by an agent from SBK Records. At the age of 15,
Jovovich set to work writing songs for her first album, but was
surprised to learn that the label wanted to package her as a pop
diva, working with other writers and arrangers. With the help of her
friend Chris Brenner, the teen engaged in a battle with the label
that eventually resulted in the release of Milla: The Divine Comedy
on EMI Records in 1994-- her own songs, recorded her own way, and
hailed by such music industry giants as Rolling Stone magazine.
Putting aside her acting and modeling careers, Jovovich pursued a
strenuous tour schedule through the remainder of 1994 and the start
of 1995. She was preparing to enter the studio to begin work on her
second album when the opportunity to star in The Fifth Element
arose.
On the completion of principal shooting, Jovovich returned to
modeling for a handful of plum assignments, and has started work on
her second album for release in late 1997.
IAN HOLM (Cornelius), born on Sept. 12, 1931,
in Goodmayes, England, began his acting career with the Royal
Shakespeare Company, and distinguished himself on the London stage
for more than a decade before winning the Tony Award for his
performance in the Broadway production of Harold Pinter's "The
Homecoming" in 1967, a role he reprised for the screen version. His
film debut, in "The Bofors Gun," won him the British Film Academy
Award as best supporting actor in 1968.
Audiences worldwide discovered Holm in his 1979 role as Ash, the
treacherous android in Ridley Scott's Alien, and the actor eamed his
second BFA Award -- as well as a Cannes Film Festival Award and an
Oscar nomination -- for his performance as Sam Mussabini in Chariots
of Fire in 1981. He has since lent his talents to such films as David
Hare's Wetherby, Terry Gilliam's Brazil, Woody Allen's Another Woman,
Franco Zeffirrelli's Hamlet, David Cronenberg's Naked Lunch, Nick
Hytner's The Madness of King George, Kenneth Branagh's Frankenstein
and Campbell Scott's Big Night.
Holm's recent theatrical engagements have included "King Lear" at the
British National Theatre, and an award-winning turn in Harold
Pinter's "Moonlight." Later this year, Holm will be seen in Sidney
Lumet's film, Night Falls on Manhattan, Atom Egoyan's The Sweet
Hereafter and Danny Boyle's A Life Less Ordinary.
CHRIS TUCKER (Ruby Rhod) entered film by way
of comedy; he was cast in a brief but hilarious role in House Party
III after he was spotted doing his stand-up routine on television's
Def Comedy Jam. He subsequently co-starred with Ice Cube in F. Gary
Gray's Friday, and offered a stand-out performance as Skip in the
Hughes Brothers' Dead Presidents. Money Talks, co-starring Tucker and
Charlie Sheen, will be released later this year from New Line
Cinema.
LUKE PERRY (Billy), a native of Ohio, is best
known to television audiences worldwide for his smoldering portrayal
of Dylan McKay in the television series Beverly Hills 90210. His
feature debut was in David Beaird's film adaptation of his play
Scorchers, in 1992, followed by his first starring role, in the
sleeper hit Buffy the Vampire Slayer. In 1994, Perry starred as
national rodeo champion Lane Frost, in John G. Avildsen's
biographical film 8 Seconds. Most recently, Perry starred opposite
Ashley Judd in John McNaughton's critically acclaimed crime drama,
Normal Life.
BRION JAMES (General Munro) is one of
Hollywood's preferred character actors, appearing in such landmark
films of the last two decades as Bob Rafaelson's The Postman Always
Rings Twice, Walter Hill's 48 Hrs., Andrei Konchalovsky's Tango &
Cash and Altman's The Player.
Through6ut the same period, he has maintained an even higher profile
in such genre entertainments as Blue Sunshine, Enemy Mine, Blade
Runner, Cherry 2000, Brainsmasher: A Love Story Scanner Cop and the
Coen Brothers-Sam Raimi collaboration, Crimewave. Since 1976, he has
accumulated credits in over 80 films; later in 1997, he will be seen
in Bombshell, Deadly Ransom and The Killing Jar.
A veteran of over twenty feature films, TINY LISTER, JR.'s
(President Lindberg) credits include Barb Wire, A Thin Line Between
Love and Hate, Things to Do in Denver When You 're Dead, Friday Don
Juan de Marco, Trespass, Posse, Universal Soldier and No Holds
Barred. On television, Lister has appeared in such series as Moesha,
In the House, Malcolm & Eddie, Martin, ER, The Fresh Prince ofBel
Air, Matlock and HBO's First and Ten.
Stage comic LEE EVANS (Fog), seen in the Academy
Award-nominated short Brooms, first came to international attention
in Peter Chelsom's film Funny Bones for his show-stopping performance
as Jack, a man with an instinctual ability to make people laugh.
Evans will next film Mouse Hunt for Dreamworks SKG, costarring with
Nathan Lane.
Evans has headlined three British TV productions, An Evening with Lee
Evans (1993), The World ofLee Evans (1995) and The Lee Evans Show
(1996). In February of 1996, Evans opened a live, one-man show in
London's West End, which ran for 8 sell-out weeks and received rave
reviews from the press.
TRICKY (Right Arm), the 28-year-old "Majesty of Trip-Hop,"
makes his acting debut in The Fifth Element. With his 1995 album
Maxinquaye, the Bristol, UK native mixed elements of dub, techno,
trance, hip-hop, and gothic, creating a synthesis that broke all
musical barriers. In 1996, Tricky continued to astound fans and
critics, with three releases that too the new musical thread in three
separate but related directions -- the street-flavored Grassroots EP,
the eclectic Nearly God album (featuring collaborations with such
talents as Iceland's Bjork and Allison Moyet), and, in his second
"official" solo album, Pre-Millenial Tension. All three boast
Tricky's uniquely anti-romantic lyrics, and include the participation
of his favored vocalist, Martina Tooley Bird, with whom he lives in
London.
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