Three Seasons

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Review, by Karen Jaehne

With sweeping directorial vision and a powerful poetic narrative, Tony Bui has created an enormously impressive feature debut about the "new" Vietnam.

Weaving three stories (really four) into a striking pictorial tapestry, Three Seasons contrasts the traditional to the modern in a nation in the chaotic throes of transition. We meet four ordinary people living almost as strangers in their own land: a young girl hired to aid a reclusive spiritual master; a cyclo driver who becomes obsessed with a proud and ambitious prostitute; a very young boy hustling lighters, gum, and cheap watches from the case around his neck; and an American Vietnam vet searching for the daughter he has never seen. What ensues is images of lives struggling to find both place and meaning in a nation which won the war but may now be losing a piece of its soul.

The rich diversity of American independent film is deepened this year by the Southeast Asian, melodramatic style of Bui's work. The usual hyperbole about craft and art can't describe the immense visual sensibility of this film. It's not an overstatement to say that more arresting lyrical beauty may not appear in another American film this year. As the first American film to be shot in Vietnam since the war, with a remarkable Vietnamese cast and emotionally provocative acting by the stalwart Harvey Keitel, Three Seasons achieves a pinnacle of excellence that is rare in filmmaking today.

- Geoffrey Gilmore

Directed by: Tony Bui
Written by: Tony Bui, Timothy Linh Bui
Starring: Harvey Keitel, Don Duong, Ngoc Hiep Ngyuen, Manh Cuong Tran, Zoe Bui, Huu Duoc Nguyen
Produced by: Tony Bui, Jason Kliot, Joana Vicente