Boogie Nights: About The Production

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Mark Wahlberg, Burt Reynolds, Julianne Moore, Don Cheadle, William H. Macy (Best Supporting Actor Academy Award¨ nominee for Fargo), Heather Graham, John C. Reilly, Philip Seymour Hoffman, Ricky Jay and Joanna Gleason star in the ensemble cast of New Line Cinema's Boogie Nights. Set to debut at the Toronto Film Festival in September, the film features a Capitol Records soundtrack infused with classic songs from the `70s and `80s. Written, produced and directed by Paul Thomas Anderson, the film is produced by Lloyd Levin, John Lyons and Joanne Sellar, with Lawrence Gordon as executive producer.

Boogie Nights follows an extended family of filmmakers who struggle to redefine and revolutionize the adult entertainment industry. Led by an idealistic producer (Burt Reynolds) who dreams of elevating his craft into an art form, this film takes a behind-the-scenes journey into the turbulent lives of those who rise and fall in a misunderstood underworld.

"Boogie Nights takes on the adult entertainment industry the way Goodfellas explored organized crime or The Player exposed the cutthroat nature of studio politics," explains Michael DeLuca, President and Chief Operating Officer of New Line Productions. "The script had such a well-crafted canvas of characters, we were able to lure actors who might not have ordinarily considered this kind of provocative material."

The film also captures an authentic snapshot of Los Angeles during the late 1970s and early 1980s -- an era when disco and drugs were in vogue, fashion was in flux and the party never seemed to stop.

This unique time in American pop-cultural history attracted writer/director Anderson. "The story takes place from 1977 to 1984, and I have very specific memories of the way Los Angeles looked and felt," Anderson explains. "The story dictated the time, and it just happened to set itself in a wonderful period of music and fashion," he says. Attention was paid to the most minute details regarding the music, costumes, hairstyles and dance moves. "It was tricky just keeping track and monitoring the time lines," says the 26-year-old filmmaker.

Anderson set out to write a story that had a large and complicated cast of characters, which proved to be a challenge because of the enormity of the project. But at the same time, completing the feat on schedule with a modest budget was his greatest reward.

At the heart of the story is how the various players in an adult film production company come together to form a makeshift family -- comically dysfunctional in many ways -- but a family nonetheless. Their lives are intertwined in shared experiences that range from the successful highs to the brooding lows. "These characters are all searching for their dignity. They're just trying to find themselves," says Anderson.

The main character, Eddie Adams, who changes his name to Dirk Diggler, is played by Mark Wahlberg, who knew immediately upon reading Anderson's script that he wanted the role. "I put the script down and thought, ÔWell this guy is a genius.' He's telling a story here that is so funny, disturbing and totally original, it's wonderful," says Wahlberg. With that in mind, he joined the project with complete trust in Anderson's vision.

"This is a difficult story to tell. People are scared of this material," says Wahlberg, whose character becomes seduced by the "glamour" of the adult entertainment industry.

Wahlberg saw his role as an acute departure from his other on-screen personas. "People put you in a category, and you can get stuck there. I was fortunate to get this part so I can step out and do something different," says Wahlberg. "Dirk's a very young, uneducated, innocent, gullible kid. He's just looking for love and finds it in this weird situation."

Burt Reynolds plays Jack Horner, who acts as a surrogate father to the members of his burgeoning porn production empire. Reynolds says, "There's no question that everyone in this film is damaged goods." On-set, Reynolds felt like the elder statesman -- much like the character he plays. Referring to the director, he jokes, "I got socks older than him."

"Jack doesn't think he's a filmmaker. He knows he's a filmmaker. And he knows how to get the best from his actors," says Reynolds. "I knew a lot of guys like Jack. He's very giving, and in a strange way, he's a hell of a good friend."

Playing the adult entertainment superstar Amber Waves, Julianne Moore sees Boogie Nights as "A film about the pursuit of stardom and the notion that it's inherently interesting to be a star no matter what the cost." Moore, who was drawn to the story immediately, adds, "I think people will be interested in the flawed nature of these people and how they're still trying to achieve something. One of the things Paul did so wonderfully was to present this world and allow you to make your own judgments about it."

Describing her character, Moore says, "Amber is fairly representative of the adult film actresses in that time period. She's given up all ties to anything else; she's completely immersed in this world. Even though Amber is seen as someone who is free, she has paid a high price for her lifestyle."

Working with two male icons at different ends of the spectrum, Moore observes, "Mark plays Dirk in such a refreshing and emotional manner. He's just very magnetic and charismatic in the part. With Burt, it was interesting to have an actor around who's had his level of experience in our industry playing this authority figure in the film. He's really remarkable in the role."

Heather Graham plays Rollergirl, who, like Dirk, is a child in this flawed family with Jack and Amber as substitute parents. "Hopefully, people will watch this film and get past the shock value, because it's a very human story," says Graham.

Boogie Nights marks the third time John C. Reilly, who stars as Reed Rothchild, has worked with Anderson. "Despite the sprawling nature of this story, you still get a real feel for each character, their individual quirks, personalities, weaknesses and strengths," he says. "Paul is real, and he's very frank. He doesn't fill in a lot between the lines."

Philip Seymour Hoffman, who plays Scotty J., has also worked with Anderson before. "He's a great audience and a great support system. He's incredibly talented intuitively," says Hoffman.

For Hoffman, Boogie Nights is "a film about people who are outside the realm of society, who are trying their best to be accepted. I think most people will probably be fascinated by the film because of the `70s. It was an awkward stage in America."

A character also wrapped up in the awkwardness of the `70s is Buck Swope, played by Don Cheadle. Buck goes through many fashion changes ranging from the "Midnight Cowboy" look to the "Commodores" style of clothing. According to Cheadle, "He doesn't stay in one look long enough for it to really manifest because he's constantly searching for his identity. Buck finds the acceptance he is desperately seeking in this Ôfamily'."

"All these people are deficient in some way, and they need to be a part of something. This world provides Buck the ability to be a part of something."

For Cheadle, one of the most memorable aspects of Boogie Nights was the unique atmosphere on the set. He says, "Paul is one of the few directors I've worked with who doesn't say Ôaction' every time. Sometimes the camera just starts rolling, and he lets you go. It was very loose."

William H. Macy, who plays Little Bill, agrees and adds, "Paul's shots are wonderfully well-chosen because all of them tell the story. He's got a great eye, and he loves actors." Macy also points out that Boogie Nights is one of the healthiest sets he's ever worked on in terms of handling sex scenes. "It was truly refreshing and amazing that no one was embarrassed. Everyone was really candid on the set because we were dealing with this subject of sex as a business."

Looking back on the `70s, Macy remembers, "For just a nanosecond, people actually thought adult entertainment was going to become a legitimate art form. Boogie Nights is a microcosm of that period of that time."

Macy's character is the older soul trying to be the moral conscience in an awkward world. He says, "My character's take on everything is, ÔIsn't this a little odd? Does anybody else think that what we are doing is nuts?'" However, Macy sees that Little Bill's main flaw is his unwillingness to stand up for what he knows is wrong, and that makes him very repressed. "He lets it build up until it comes out violently. What happens with Little Bill is a great metaphor for the whole country," explains Macy.

To create the look for Boogie Nights, Anderson turned to costume designer Mark Bridges for his expertise. Says Bridges, "This is a big nostalgia piece. I went for a slick, sexy look that epitomizes the late `70s. I looked through yearbooks and photo albums to try and remember the high points style wise, as well as the fashion milestones over the seven year period the film covers." Finding the right clothes took a lot of time and research. According to Bridges, "It's sort of a treasure hunt. It's been a little difficult because the `70s look is so popular now, and so the vintage stores in Los Angeles are really bare. I visited a combination of thrift stores, vintage shops and garage sales."

Choreographer Adam Shankman was brought in to teach the actors the accurate dance steps of that time. "This kind of dancing is so ingrained into the American consciousness. It's such a dear part of our history. Nothing really says 1970's like disco dancing."

Principal photography on Boogie Nights commenced on July 10, 1996 and was completed on October 4, 1996.

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