Film Scouts Diaries

2008 Karlovy Vary Film Festival Diaries
Diary #8: Hit It, Mamma!

by Henri Béhar

Karlovy Vary, Czech Republic, July 12, 2008 – Time for closing night – the awards (see below) and the movie. The poster is seductive and scary. It shows Meryl Streep in a mechanic's overalls, her hair a mess, joyfully jumping on a bed. Two words pop out: "Mamma Mia!"

Woah! What have we here?

We have the 20-year-old daughter of an inn keeper on a tiny Greek island who is about to be married and wants her dad to give her away. Except she doesn't know who her dad is (nor, probably, does mom). So, behind her mom's back, she sends invitations to three men who shared her mom's life in the bad old disco days. All three show up…

Based on the famous Abba songs (and the hit stage show they inspired), the story line of this film is as tenuous as a bra strap and as simple as one, two, three.

Make that three times three. You have the bride-to-be, Sophie (Amanda Seyfried), and her two girl friends; mom Donna (Streep) and her two pals Tanya (Christine Baransky) and Rosie (Julie Walters) -- they used to be collectively known as Donna and the Dynamites --; and the potential dads: Sam (Pierce Brosnan), Harry (Colin Firth) and Bill (Stellan Skarsgard).

There you have it, in a capsule. But then Abba's songs come in to bring whichever emotion that storyline requires at any given point.

Meryl Streep gives it her all – emotionally, musically and physically -- with a bravura performance that doesn't overshadow anybody else's, and her gleeful wickedness is more than matched by that of Christine Baransky and Julie Walters. These ladies don't give a damn if, as the parts require, they appear slightly overweight, downright plump or liposucked to the bone. (The men aren't too shabby either, if a tad more unsure vocally.) I defy you to resist when Donna, Tanya and Rosie, with shameless oomph and élan, don their rhinestoned platform pumps, sequined bell bottom pants and mile-long false eyelashes and get it on with Super Trouper. (The soundtrack also includes Mamma Mia, The Winner Takes It All, Dancing Queen and a delightfully agile rendition of Money Money Money.

Call it Grease for the fiftysomething, if you will. This joyous romp could have been hugely embarrassing, it is brilliantly fun -- and it had part of the Karlovy Vary Fest crowd virtually dancing in the ailes.

And the winners are…

GRAND PRIX – CRYSTAL GLOBE.
Terribly Happy, by Henrik Ruben Genz (Denmark)

SPECIAL JURY PRIZE
The Photograph, by Nan T. Achnas (Indonesia, France, Netherlands, Switzerland, Sweden)

BEST DIRECTOR AWARD
Captive, by Alexey Uchitel (Russia, Bulgaria)

BEST ACTRESS AWARD
Martha Issová for Night Owls (Czech Republic)

BEST ACTOR AWARD
Jiří Mádl for Night Owls

SPECIAL MENTION
The Karamazovs, by Petr Zelenka (Czech Republic, Poland)
The Investigator, by Attila Gigor (Hungary, Sweden, Ireland)

BEST DOCUMENTARY FILM (under 30 minutes long)
Lost World, by Gyula Nemes (Hungary, Finland)

BEST DOCUMENTARY FILM (over 30 minutes long)
Man on Wire, by James Marsh (United Kingdom)

SPECIAL MENTION
Bigger, Stronger, Faster, by Christopher Bell (USA)

BEST FILM
Tulpan, by Sergey Dvortsevoy (Kazakhstan, Germany, Switzerland, Russia, Poland)

SPECIAL MENTION
Seamstresses, by Lyudmil Todorov (Bulgaria)

AWARDS FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA
Robert De Niro, USA
Dušan Hanák, Slovakia
Juraj Jakubisko, Slovakia
Ivan Passer, USA

FESTIVAL PRESIDENT'S AWARD
Danny Glover, USA
Christopher Lee, United Kingdom

THE TOWN OF KARLOVY VARY AWARD
Armin Mueller-Stahl, Germany

PRÁVO AUDIENCE AWARD
12, by Nikita Michalkov (Russia)

INDEPENDENT CAMERA (Awarded by Czech Television
Mermaid, by Anna Melikyan (Russia)

AWARD OF INTERNATIONAL FILM CRITICS (FIPRESCI)
The Karamazovs, by Petr Zelenka (Czech Republic, Poland)

THE ECUMENICAL JURY AWARD
The Photograph, by Nan T. Achnas (Indonesia, France, Netherlands, Switzerland, Sweden)

THE DON QUIJOTE PRIZE (FICC – International Federation of Film Societies)
The Investigator, by Attila Gigor (Hungary Sweden, Ireland)

NETPAC AWARD (Network for the Promotion of Asian Cinema
Written, by Kim Byung-woo (South Korea)
Tulpan, by Sergey Dvortsevoy (Kazakhstan, Germany, Switzerland, Russia, Poland)

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